• Faces, October-November 2011, Davis Gallery, Sawtooth School for Visual Art, Invitational exhibition.
• Entry application to Artworks Gallery, Winston-Salem, September 2011. Accepted as an Exhibiting member- October 2011.
• Plans for Solo Exhibition, She-roes, Mary Holt Davis Gallery, Salem College, projected for Feb-March 2012.Applications-
• School 33 Gallery, Baltimore, Md., October 2011
• Outwin Boochever Portrait Competition 2013, National Gallery of Art, October 2011
• Womens Works 2012 25th Anniversary Show, Crystal Lake, IL, November 2011
Research Paper 3/ Fall Semester:
Harshav, Benjamin, and Marc Chagall. Marc Chagall and His Times: A Documentary Narrative. Stanford, Calif: Stanford University Press, 2004. Print.
Krepico, Tom. Vitreosity. 11May 2009. Web-Images for Matisse and Chagall
15 Oct. 2011.
Mulder, Karen. Humanities and Social Sciences Discussion Network. Sat, 12 Aug 2006. Web. 15 Oct. 2011.
Prest, Terry. Idle Speculations. 05 Sept. 2007. Web- Image for Gerhard Richter. 15 Oct. 2011. .
Raguin, Virginia Cheiffo. “Pilgrimage”. Catalogue Essay for Kiki Smith: Lodestar. Pace Gallery, New York. May 2010. Print.
Werner, Alfred. “Chagall’s Jerusalem Windows”. Art Journal 21. 4 (Summer 1962): 224-232. JSTOR. Web. 15 Oct. 2011.
Research Paper 2/ Fall Semester 2011:
Avigkos , Jan. “Entering the Discourse.” Art Institute of Boston at Lesley University. 21 June 2011. Lecture.
basicallyst... “Commentary to: Video: A New East Window on Eldridge Street”. The New York Times. 18 October 2010. Web. 17 September 2011. <http://artsbeat.blogs.nytimes.com/2010/10/18/video-a-new-east-window-on-eldridge-street/>.
Bendheim, S.A., “Featured Project: Eldridge Street Synagogue and Museum by Kiki Smith &
Deborah Gans.” Bendheim Art Glass: Project Gallery. 2010. Web. 20 September 2011.
Kleiner, Fred S. and Christin J. Mamiya. Gardner's Art Through the Ages, The Western Perspective (12th Edition). New York: Thompson Wadsworth, 2009. Print.
Masheck, Joseph - Marcel Duchamp in Perspective. Englewood Cliffs, CO:Prentice Hall, 2002. Print.
Schjeldahl, Peter. "Many Colored Glass." The New Yorker. 12 May. 2008. Web.10 September 2011. <http://www.newyorker.com/arts/critics/artworld/2008/05/12/080512craw_artworld_schjeldahl
Schock-Werner, Barbara. “On the Genesis of Design.” Kölner Dom. May 2008. Web.10 September 2011. <http://11000-sterne.koelnerdom.de/index.php?id=19152&L=1>
Spears, Dorothy. “Through A Glass, Busily.” The New York Times. 26 March 2010. Web.10 September 2011. <http://www.nytimes.com/2010/03/28/arts/design/28kiki.html>
“Synagogue’s Stained Glass Celebrates Festival of Lights. CBS News. 5 December 2010. <http://www.cbsnews.com/video/watch/?id=7119795n>. Web. 20 July 2011
Research Paper 1/ Fall Semester 2011:
Brand, P. “Feminist Art Epistemologies: Understanding Feminist Art”. Hypatia, (2006), 21: 166–189. Print.
Dancoff, Judith, Judy Chicago, Faith Wilding, Janice Lester, Shawnee Wollenman, Vanalyne Green, Susan Boud, Cay Lang, Cheryl Zurilgen, Nancy Youdelman, Christine Rush, Dori Atlantis, Karen Lecocq, and Suzanne Lacy. Judy Chicago & the California Girls. Los Angeles: California Girl Productions, 2008. Film.
Ferguson, Russell. Discourses: Conversations in Postmodern Art and Culture. New York: New Museum of Contemporary Art, 1992. Print.
Foucault , Michael. “The Means of Correct Training”, Discipline and Punish. Penguin (1977): 170-194. JSTOR. Web. 18 Apr. 2011.
Hooks, Bell. Talking back: thinking feminist, thinking black. Boston, MA. South End Press (1989): JSTOR. Web. 18 Apr. 2011.
Kennedy, Brian. “Museum Acquires Stunning Fred Wilson Mirror”, Toldeo Museum of Art (2010). Web. 18 Aug. 2011.
Lourde, Audre. “Age, Race, Class and Sex: Women Redefining Difference”. Sister Outsider. Crossing Press, California. Amherst College (1984): JSTOR. Web. 18 Apr. 2011.
Richards, Mary. Marina Abramović. Hoboken: Taylor & Francis, 2009. Print.
Salomon, Nanette: The Art Historical Canon: Sins of Omission. In: Preziosi, Donald: The Art of Art History, Oxford University Press (1998) 334-355): JSTOR. Web. 18 Apr. 2011.
Stein, Judith E. “Sins of Omission: Fred Wilson’s Mining the Museum”, 2003. Print.
The Guerrilla Girls' Bedside Companion to the History of Western Art. New York: Penguin, 1998. Print.
Wexler, Alice. “Museum Culture and the Inequities of Display and Representation”. Visual Arts Research. University of Illinois Press. 33.1 (2007): 25-33. JSTOR. Web. 18 Aug. 2011.
Contemporary Portraiture/ Art Heroes:
Brilliant, Richard. Portraiture. London: Reakiton Books Ltd, 1991. Print.
Chuck Close Prints: Process and Collaboration. Dir. organized by Blaffer Gallery. Perf. Chuck Close. Corcoran Gallery of Art, 3 July 2010. Corcoran Gallery of Art: Exhibition Overview. Web. 9 July 2010. .
Close, Chuck. Chuck Close. New York: Museum of Modern Art, 1998. Print.
Deicher, Susanne. Piet Mondrian. Germany: Taschen, 2010. Print.
Feldman, Frayda, and Jorg Schellmann, eds. Andy Warhol Prints. New York: Distributed Art Publishers, 2003. Print.
For Chuck Close, an Evolving Journey Through the Faces of Others. Dir. Jim Lehrer. Perf. Chuck Close, Christopher Finch. PBS, 6 July 2010. PBS Newshour. Web. 7 July 2010. .
Guare, John. Chuck Close: Life and Work. New York: Thames and Hudson, Inc, 1995. Print.
Hofmann, Hans. The Search for the Real. Cambridge, Mass: MIT Press, 1948. Print.
Jung, Carl G. Man and his Symbols. New York: Anchor Press, 1964. Print.
Poetter, Jochen, and Helmut Friedel, eds. Chuck Close. New York: Distributed Art Publishers, 1004. Print.
Rand, Ayn. The Romantic Manifesto. Cleveland, OH: The World Publishing Company, 1969. Print.
Rank, Otto. The Art and the Artist. New York: Agathon Press, 1968. Print.
Davis, Brendan, James Esber, Art-Interview.com, Issue 11, Feb, 2009
Supanick, Jim, Makin’ Whoopee: A Conversation with J. Fiber, James Esber and Jane Fine with Jim Supanick, Brooklyn Rail, April, 2008
Patterson, Tom, The Fine Art of Distortion Winston-Salem Journal, January 28, 2007
Brown, David, James Esber: American Delirium, Exhibition Essay, Southeast Center for Contemporary Art, January, 2007
Storr, Robert, Taking Liberties, James Esber (catalog essay), Pierogi Press, April, 2006
Johnson, Ken, James Esber, The New York Times, April 11,2003
Goings On About Town: James Esber, The New Yorker, April 7, 2003
Tucker, Annie, James Esber: Exquisite Corpse, Juxtapoz, Jul/Aug, 2001.
Humphrey, David, New York E-Mail, Art Issues, Jan/Feb, 2001.
Lowenstein, Drew, James Esber at PPOW, Artcritical.com, Dec, 2000.
Goings On About Town: James Esber, The New Yorker, November 6, 2000
Smith, Roberta, James Esber, The New York Times, October 3, 1997.
Carlin, Abigail. Let Us Now Praise Famous Women: Deborah Kass's "The Warhol Project" (1992-2000). Thesis. Cincinnati, OH: University of Cincinnati, May 22. 2009. Print.
Dumas, Marlene. "Face Value." Modern Painters 20 June 2008: 82-87. Wilson Web. Web. 24 June 2010. .
Goodyear, Anne Collins. "Digitization, Genetics, and the Defacement of Portraiture." Smithsonian Institution Summer 2009: 28-31. Print.
Hope, Henry R. "Alice Neel: Portraits of an Era." Art Journal 38.4 Summer (1979): 273-281. College Art Association. Web. 26 June 2010.
Joost-Gaugier, Chritiane L. "A Rediscovered Series of Uomini Famosi from Quatiricento Venice." The Art Bulletin 58.2 June (1976): 184-105. College Art Association. Web. 26 June 2010. .
Perry, John Barlow. "Selling Wine Without Bottles: Economy of Mind on the Global Net." Virtual School.Edu: Distributed Learning Community. Brad Cox, PhD, John Companies, 2004. Web. 8 July 2010. .
Siegel, Eli. "Is Beauty Making One of Opposites?" Journal of Aesthetics & Art Criticism. Aesthetic Realism Foundation, Dec. 1955. Web. 26 June 2010. .
Smith, Charles Saumarez. "I Try to Make Everbody Look Great: Andy Warhol and the idea of the twentieth-century portrait." Modern Painters June 2001: 54-57. Wilson Web. Web. 24 June 2010. .
Cowart, Jack, and Georgia Hamilton. Georgia O'Keeffe: Art and Letters. Washington DC: National Gallery of Art, 1987. Print.
Dow, Arthur Wesley. Composition. Berkeley: University of California Press, 1997. Print.
Henri, Robert. The Art Spirit. Philadelphia: JR Lippincott Company, 1923. Print.
Ross, Denman W. A Theory of Pure Design. New York: Peter Smith, 1933. Print.
Anfam, David, and Carter Ratliff. Pousette-Dart: Predominantly White Paintings. Washington DC: The Phillips Collection, 2010. Print.
Azara, Nancy. Spirit Taking Form. Boston: Red Wheel, 2002. Print.
Hans Hofmann: Artist Teacher, Teacher Artist. Dir. PBS Video. Perf. Post Modern master artists that were students under Hofmann. Angott Productions, 2001. DVD.
Hobbs, Robert. Drawing Is A Verb. New York: Knoedler & Company, 2008. Print.
Hofmann, Hans. The Search for the Real. Cambridge, Mass: MIT Press, 1948. Print.
Regier, Kathleen J., ed. The Spiritual Image in Modern Art. Wheaton, Ill: The Theosophical Publishing House, 1987. Print.
Stone, Karen. Image and Spirit. Minneapolis: Augsburg Books, 2003. Print.
Required &/or Other:
Fabozzi, Paul F. Artists, Critics, Context. Upper Saddle River, NJ: Prentice Hall, 2001. Print.
Fernie, Eric, ed. Art History and Its Methods. London: Phaedon Press Limited, 1995. Print.
Foster, Hal, ed. The Anti-Aesthetic. New York: The New Press, 1998. Print.
May, Rollo. The Courage to Create. New York: WW Norton & Company, 1994. Print.
Staniszewski, Mary Anne. Believing Is Seeing. New York: Penguin Books, 1995. Print.